5.7.08_________________________________________________

Simple Cocktails

 

 

The resurgence of interest in cocktails has become quite apparent at silverlake wine.
We are constantly researching new and existing spirits in order to bring you the unique, high quality products you have come to expect from us. This process, grueling and time consuming as it may be, is part of our pledge of excellence.

For example, a few days ago I had surgery on my foot and am under doctors orders to stay off it. While this might be disheartening to some, my philosophy is: “When life gives you lemons, make a Tom Collins!” I decided to buckle down and use my time wisely. Today I must have tried five different gins, ten tequilas, an absinthe and three rums. Not to mention bitters, cocktail onions, maraschino cherries...well, the list goes on and that's only today.

A lot of the cocktail cannon goes to exotic and complicated drinks with arcane ingredients and complicated procedures. These drinks are fun and certainly have their appeal, but for many of us, they are better left to the pros, i.e., “I like to watch movies, not make 'em.”

In that spirit, here are two simple drinks that anyone can make.

The Dry Gimlet


When I moved to Los Angeles I tried to immerse myself in some of the history of the place. I re-read some Raymond Chandler novels and a biography, as a stepping off point. I would drive around looking for the sites where his novels took place, his favorite haunts, etc. One thing I ran into in a biography was that he had a fondness for gimlets. I had always hated the drink. Too sweet and you couldn't taste the gin, but I figured if it was good enough for Chandler... I began experimenting with using less Rose's lime. Beefeater was my gin of choice so I naturally used that. The dry gimlet was better, but still not exciting. Then one day I was picking up some gin and the store was out of Beefeater. I had never tried Boodles so I took a bottle of that instead. I liked it a lot in gin and tonics but not so much for martinis. Then I used it for the dry gimlet and it was perfect. The heavier texture and exotic aromatics were heightened, rather than stomped on, by the Rose's. A "gimlet" is a sharp tool used to drill small holes. Keep that sharpness in mind while making the drink.

You may have your own theory about which gin goes with what drink. That's part of the process. A drink can be made in exact proportions with alternate brands and it will be completely different.

2 ½ oz. Boodles Gin
1 tbs. Rose's Lime


Stir in a mixing glass with ice and strain into a martini glass. You can garnish this with a lime wedge but I like it without a garnish. I think it distracts from the visuals. You should have to look closely to perceive the pale, greenish tinge. (pictured above)

The Half and Half Vermouth

This is a very simple aperitif that is excellent to have before a dinner where you may be consuming a special bottle of wine. Cocktails can sometimes numb the palate with their sweetnes and high alcohol. The half-and-half vermouth is a tasty drink which is not too sweet and lower in alcohol than your average cocktail. I like Noilly Prat, sweet and dry for this drink.

1 ½ ounces dry vermouth
1 ½ ounces sweet vermouth

Pour over ice in a small rocks glass, add twist of lemon and stir gently.

5.16.08_________________________________________________

The Sulfite Question

We frequently get requests for “sulfite free” wine. Some people get headaches or other unpleasant reactions from drinking wine and usually feel that sulfites are to blame. This may be due to the sulfite warnings on wine labels or just the conventional wisdom which, in this case, is in error. Here are a few words on sulfites and some other potential troublemakers.

First off, all wines have sulfites, they occur naturally in the fermentation process. If no sulfites are added they will still occur in concentrations of about 8-12 parts per million. The legal maximum sulfite level for U.S. wines is 350 parts per million, with most wines averaging about 20-50 parts per million.

Wine makers add sulfites to inhibit the growth of certain yeasts, mold and bacteria. Sulfiting can also help prevent oxidation and unwanted second fermentations which can cause the wine to have a slightly fizzy character. Most wines without sulfites added will be unstable resulting in a very short shelf life.

Generally speaking, producers that use organically farmed grapes tend to add very small amounts of sulfites in keeping with their philosophical outlook, but it should also be noted that many artisanal wine makers, organically inclined or not, take such great care in the winery that there is little need to add large amounts of sulfites. In these types of wines you may see sulfite levels in the neighborhood of 15-20 parts per million. As a point of comparison, dried fruits, such as raisins, usually contain up to 250 or more parts per million of sulfites.

Some people, including those with asthma, are highly sensitive to sulfites, but usually their symptoms will more likely be a difficulty with breathing and not with headaches. Sulfites are not the only suspects. Some other potential headache inducers are histamines and tannins, found mostly in red wine. Studies conflict on the probable effect of these compounds. The bottom line is that there are a lot of reasons for negative reactions to wine and they vary from person to person. The best advice is to experiment (gently) with grape varietals, producers and regions until you find what works .

 

3.8.08_________________________________________________

The Sommelier Is Not Your Enemy


Most articles about ordering wine in a restaurant start out by pitting you against the condescending waiter or arrogant sommelier and giving you tips on how to put them in their place. This is the worst possible advice. From years of experience as a waiter and sommelier I can tell you it is a much better strategy to make friends with the staff. A good server will be trying to make you happy, not only to get a better tip, but also to make his or her life easier. Most of the sommeliers I know are intent on being helpful to the customer. They take personal pride in their wine lists and are genuinely happy when a guest is pleased by their choice. Food servers vary in their level of wine knowledge but it’s a good sign if he or she seems confident and prepared. Ask a few menu questions before you get on to the wine. If they don’t seem to know the menu they probably don’t know much about the wine list either.

Develop a little wine vocabulary

Sometimes communicating about wine can be difficult. If you have a few words of wine vocabulary it will help you a great deal. Here are some of the most important ones:

Tannin: A puckery feeling on your tongue and in your mouth that makes you feel like you need a drink of water. The failsafe method for experiencing tannin is to take a wet tea bag, squeeze out the water and put it in your mouth. That feeling is tannin.

Acid: This basically means sour like lemon juice. A negative word for this would be sharp or acidic (like vinegar). A positive word would be tart or crisp (like a granny smith apple).

Dry: This refers to the lack of sweetness or residual sugar. A dry wine does not taste sweet. (Note: although tannin makes your mouth feel dry, this is not how dry is used in this case.)

Fruity: The smell or taste of fruit. A fruity wine is not necessarily sweet. This requires a little abstract thought experiment.
            a. Honey has a very distinct flavor and is quite sweet. Think of the flavor and smell of honey and now mentally subtract the sweetness. This is how something might smell sweet but not be sweet.

Big/light... full/thin: A big or full wine is to cream as a thin or light wine is to skim milk.

Smooth or Round: A wine that does not have too much tannin or too much acid. This is a little subjective because what might be too much for one person could be not enough for another, but generally this will work.

These terms should get you a long way if you use them correctly.

Make a comparison

This can work well if both people know the wine in question. “ I have had several Turley Zinfandels in the past and have always liked them. Do you have anything like that?”
This doesn’t work if the server doesn’t know the wine or has a totally different sense of that wine. If you said, “I don’t like Turley Zinfandel because it is thin and too acidic,” I would be confused because most people would experience those wines as big, fruity and sometimes a little sweet.

Let them know what you want to spend

Don’t be coy about the price.  There should be good wines in all price points. The art of helping someone choose wine is making sure they are not made to feel uncomfortable. If the server says he has the perfect wine and it is less than you are willing to pay, it’s a good sign. If you are offered something that is just a few dollars more than your price with a strong recommendation, that’s OK too, as long as the server doesn’t push it. If you are with a guest and don’t want them to know what you are spending, point to a price on the wine list while discussing the wine with the server. This indicates what you want to spend without discussing money. If the server tries to pressure you to spend a great deal more than you want to, just be firm and say no.

Don’t show off

There is more to be lost than gained by showing off. It usually embarrasses at least one person at the table and wastes time that might be better spent enjoying the meal. Also, showing off usually reveals more of what one does not know than what one does know.

Here is “the tasting of the wine” ceremony as it should go down.
 
The waiter or sommelier opens the bottle, puts down the cork (or, even better, doesn’t) and pours a little wine in your glass.
a. You ignore the cork, (unless you later feel the wine might be bad) and swirl the wine for no more than 5 seconds.
b. You smell the wine for no more than 5 seconds.
c. You then taste the wine for no more than 5 seconds

Any more than fifteen seconds total and you are starting to show off. The tasting process is only meant to determine if the wine is sound, not to get your detailed critical assessment. If, after tasting the wine, you think it is corked or has some other flaw, ask the server to try some. If he or she thinks it is OK, you may be asked to give the wine a few minutes to open up (no more than 10 because, after all, you aren’t doing a science experiment here). You are well within your rights not to do this, but if you have a good feeling about the server and your food is not on the table, you may elect to see if the wine opens up.  After a few minutes, if you still think it isn’t good, send the wine back and order another bottle.

Don’t be afraid to send the wine back

If you don’t like the wine, make it known to the server immediately during the tasting ritual. If you missed something when you first tasted the bottle, don’t drink it! Drinking wine you don’t like is no fun and you aren’t dining out to have a bad time. Also, if you drink the wine, you have tacitly accepted it. Call the server to the table and discuss the problem.

As stated above, the preliminary tasting is just to determine if the wine is without flaws. In days gone by, if the wine was sound but you hated it, it was yours and you were paying for it. Today things have loosened up a little and many restaurants will take back a bottle, even a sound one, if the customer is not enjoying it. I would say, if the server makes a strong recommendation and you don’t like it, the wine should be taken back. If you order a bottle against the server’s advice, it’s definitely on you. In the middle, it’s a bit of a gray area. If you don’t like a bottle and the restaurant takes it back without charge, thank them, order a bottle of something else, and everything should be fine.  Just try not to push it. I once had someone send back three perfectly good bottles before reluctantly accepting the fourth. This was not OK.

That just about sums it up. Unless you know exactly what you want, assume the sommelier is your friend. Don’t be afraid to ask questions. Don’t be embarrassed about what you don’t know. The sommelier probably doesn’t know how to fly a jet or write a legal brief.

2.5.08_________________________________________________

Ladies and Gentlemen... the Sazerac Cocktail

In honor of Mardi Gras, here's a recipe for a famous cocktail from the city of New Orleans.

Take two heavy-bottomed 3 1/2-oz. Bar glasses; fill one with cracked ice and allow it to chill. Place a lump of sugar with just enough water to moisten it in the other glass.

Crush the saturated lump of sugar with a bar spoon or blunt object that will not break the glass.

Scream loudly for five seconds.

Add a few drops
of Peychaud's Bitters, a jigger of rye whiskey, several lumps of ice and stir briskly.

Empty the first glass of ice, dash in several drops of Herbsaint, twirl the glass rapidly and shake out the absinthe. Enough of it will cling to the glass to impart the desired flavor.

Strain into this glass the rye whisky mixture prepared in the other glass. Twist a lemon peel over the glass, but do not put it in the drink. Do you understand? Do not, for any reason, put it in the drink!

 

1.8.08_________________________________________________

January Newsletter

The new year is upon us and we wish you all a good one. In case you haven’t been in lately, we have expanded the size and selection of our store and added an ever growing collection of spirits. Here are just a few items to pique your interest. This is by no means our full selection so please stop by to check it out.

 

Absinthe

is the mysterious potion that has been credited with heightening the senses, producing hallucinations, destroying the central nervous system or all of the above. Its purported inventor is a French doctor named (ironically) Pierre Ordinaire. It is also credited to a pair of French sisters who developed the recipe prior to Dr. Ordinaire but were not as successful as entrepreneurs. Much of absinthe’s legendary status is due to the famous eccentrics and artists who consumed it; among them Toulouse-Lautrec, Hemingway, Baudelaire and Lafcadio Hearn, among others. The secret ingredient of absinthe is an herb called wormwood which produces a chemical known as thujone. This chemical is credited with the hallucinatory and detrimental effects of the liquid. Today, however, most experts agree that the extremely high alcohol probably did more damage than the thujone. Absinthe was banned in Europe around 1910 and was made legal again in Switzerland in 2004. Recently absinthe has been made legal in the US and we are happy to have the Swiss made Kubler absinthe($51.75) in stock. We had some of the California made St. George Absinthe in but it sold out in about 15 minutes. S., George is a small producer but we expect more to arrive soon. We are looking forward to bringing in new brands all the time so stay tuned. We also have absinthe glasses and spoons to make your experience complete. For more detailed information about absinthe and other decadent pursuits go to www.lividlookingglass.com a local online business and some fine people.

American Whiskey or Whisky

George Dickel has always been a personal favorite of mine. It seems a little dryer than Jack Daniels and a little spicier, like a rye. We have the George Dickel “Barrel Select” ($40.00) in stock right now. Each year the Dickel Master Distiller chooses ten barrels that he deems special and sets them aside for 10-12 years. The result is a smooth sipping*whisky that won’t disappoint anyone in the mood for some fine Southern brown juice.

*George Dickel whisky is spelled in the Scotch manner (without the “e”) because the original Mr. Dickel felt his whiskey had the complexity of a Scotch.

Stranahan's is an extremely small distillery in Denver, turning out some exceptional American whiskey. For those of you who like a sweeter, oakier style, this is one to try. Stranahan’s Colorado Whiskey ($60) is named after one of the three partners, George Stranahan, who also happens to own Flying Dog Brewery which is situated right next door to the distillery. This is very handy because the distillery uses a barley wash concocted by the folks at the brewery. Incidentally, we met a film maker who is making a documentary on American whiskey makers and he did a segment on these guys.

Michter’s Single Barrel Rye Whiskey ($45.25) is a wonderful example of classic American rye. The original Michter’s distillery was started in 1753 and supposedly supplied the spirit for Washington’s troops during the revolutionary war. This makes it the oldest commercial distillery in America, distilling whiskey before there really was an America. It went out of business in the 1980’s but has been revived by a company called Chatham Imports. Some true aficionados that are familiar with the old Michter’s claim the new version in even better. I never had the original but I can vouch for the fact that this dry, spicy liquid is a superior drink. If you have never had rye whiskey, or have only tasted the more readily available examples, you should definitely not miss this.

Cognac, Armagnac and Calvados

We have some wonderful Cognacs and Amagnacs in stock but I want to focus on Calvados because it is the least known of the three.

Calvados is most commonly a brandy made from apples. Right away people jump to the conclusion that it is sweet. Wrong. Grapes are sweet. Cognac is made from grapes, but Cognac is not sweet. The same is true of Calvados. Its general character is similar to Cognac or Armagnac but it has the wonderful aroma and flavor of apples. If you have ever walked though an apple orchard in the late fall you have experienced something similar to the aroma. This is a spirit that will please anyone who enjoys brandy and has shivered a bit on a cold night and needs something to warm them up. We have the Lemorton Calvados ($47) which is made from apples and pears, and the Christian Drouin Couer de Lion ($49) made entirely from apples.

For more detailed information we will send you to Charles Neal’s website. He is the man who wrote the book (literally) on this stuff.

We are always looking for new ideas so if there is something you have tried and liked please drop us an email or stop in and tell us about it.

10.05.07_________________________________________________

October Newsletter

 

Gritsmania

Silverlake Wine will never forget the Great Grits Rush of 2005. There was an article to be published in the LA Times about grits and we happened to be good friends with the folks at Anson Mills, millers and purveyors of heirloom grain products. We agreed to carry the grits so there would be somewhere to buy them on the eastside. We got 50 packages and figured we would all be eating grits for a while. To our surprise we were barraged with orders and had to get two more shipments. Apparently there are a lot of grits lovers out there.

Anson Mills products are cold milled and must be refrigerated. We don’t have the space to store them properly so we can’t carry them on a regular basis.

Now, however, they have a great new website with recipes and some very interesting background information on their products and antique grains in general. Glenn Roberts (pictured above) is an endless well of knowledge on this topic so if you are at all interested in grains, cooking or culinary history, you should check this out. You can purchase Anson Mills products online with a minimum order of four 12 oz. packages. They have several different types of grains in addition to the grits. Store them in your freezer and you’re all set.

Here’s the website: http://www.ansonmills.com

Anson Mills products can also be purchased locally at Surfas in Culver City.

8824 National Blvd
Culver City, CA 90232
(310) 559-4770

 

Saturday is Off Ramp day!

Off Ramp is KPCC's radio magazine that covers all (well, almost all) aspects of life in Southern California. John Rabe hosts and Queena Kim produces and reports. Tomorrow (10/06) they have an interesting segment on Joe and Heather D’Augustine who happen to have a vineyard in Echo Park. Off Ramp airs Saturdays from 12:00-1:00 pm and on Sundays from 8:00-9:00 pm. Or go to the website.

http://www.scpr.org/programs/offramp/

 

 

Autumn's New Book

Elliott Smith is the title of the new book by our friend, Autumn DeWilde. You can probably guess the subject matter. It has great photos, interviews and ephemera (including a CD of unreleased live recordings) and gives you a real feel for the commonplace that is often missing from celebrity photo books. Autumn is the anti-paparazzi. She’s the kind of photographer that artists feel comfortable with, which is apparent in the photos. There is accompanying text by Beck and Chris Walla from Death Cab for Cutie. It’s published by Chronicle and should be easy to find.

http://www.autumndewilde.com/

George's Jukebox

Here are a few albums that are getting a lot of airplay at silverlake wine lately. Two are from the always interesting New West Records.

“Dwight Sings Buck” is the upcoming Dwight Yoakum release that features Dwight singing some of his favorite Buck Owens songs, hence the title.

When I was growing up in Minnesota my dad had some jukeboxes in a few local cafes and VFW halls. Once a month, when I got home from school, we would go change out some the old records for new ones and empty the coin boxes (my Dad’s allowance). I particularly remember the fall nights when the sun would go down early and we got to have hamburgers and Cokes with a side of neon and twangy guitars. This was back in the ‘50’s and '60’s when there was a lot of classic country and rockabilly music being made. I particularly liked Buck Owens and his Buckaroos, probably because I was a kid and they had a funny name. There was also something a little comical in the way Buck Owens delivered even a serious song.
I went off to college and kind of forgot about Buck for a while but listening to this CD really brought me back. Great renditions of great tunes. You can tell the music’s good when you see people in the store doing little, unconscious dances to it.

 “Washington Square Serenade” is my favorite Steve Earle album since "Guitar Town." Lots of energy here and great melodies that I was humming after the first listen. The record is more or less acoustic but with some interesting production touches that keep things in the 21st century. You may or may not like Steve Earle but he writes lyrics like the Swiss make watches. I’ll bet his grocery list is a thing of beauty.

Also in heavy rotation:

Under the Blacklight-Rilo Kiley

The Warning- Hot Chip

The Mix Up-Beastie Boys

 

 

 

8.16.07_________________________________________________

Thursday, August 16th, 2007

 

SPEAKING OF VINTAGES

Wine geeks all over the world are very excited by the 2005 vintage. It seems like a repeat of 1990 where everything from everywhere was good.

This is the time of year when those of us in the wine business keep our ears to the ground to see what the current vintage will bring us from the world's various wine growing regions. That said, sometimes too much can be made over critical judgments that rate an entire vintage great, good or poor. At Silverlake Wine we try to keep an open mind and make our decisions by knowing the producers and tasting the wines. Many times vintages that are rated as poor or mediocre are re-evaluated and upgraded as the wines mature. Conversely, some vintages that show well at release fall apart in time.

Also, the most powerful force influencing the public's perceptions of vintages is the wine press. Obviously something has to be said relative to what happened in a given year and wine critics are paid to give their opinions. You, however, are not under any obligation to take their every word as gospel. For example, take a wine from the same producer in two different vintages. Wine #1 has a rating of 95. Wine #2 has a rating of 98. Both from the same critic . Wine #1 is from a vintage that this critic has called "the vintage of the century." Wine #2 is from a vintage the same critic considered to be a "correct" vintage. Which is better?

If you follow the critic's judgments slavishly you have to come to the conclusion that the 98 point wine is best, but in my experience, most people would pick the 95 point wine because it is from a “better” vintage. The choice is contradictory because they are choosing the vintage over the score. If you buy this critic's judgment a 98 is a 98 even if it is a terrible year.

A healthier way to look at vintages is that they are simply different. Some show well early, which is great, because it gives you something to drink while the other ones evolve. Others that may be tannic or closed at first will be getting better and better while you drink the more forward vintages.

Chateauneuf-du-Pape and the Southern Rhone

One area that did exceptionally well in 2005 was Chateauneuf-du-Pape. This is one of the great wine regions of France,and the world for that matter. The wines are, to use Robert Parker's word, hedonistic. If Burgundy is the spirit and Bordeaux is the mind then most certainly Chateauneuf-du-Pape is the body. This is the wine they won't let into Heaven so if you are planning to go there, drink up now. We recently tasted a number of the '05s and they were tremendous. The wines ran the gamut from jammy, soft, red fruit flavors to plummy,earthy and leathery ones, but the thread running through them all was great structure. Even the wines that weren't particularly my cup of tea were so well put together I had to admire them. I can't imagine that there isn't at least one CDP for everyone. We have several 2005 Rhones in stock and will be getting more in all the time.

 

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